Contemporary British artist based in France, painting, drawing & performance on the human body & our relationship to the natural world.

Drawing
The year began with baleful auguries:
comets, eclipses, tremors, forest fires,
the waves lethargic under a coat of pitch
the length of the coastline. And a cow spoke,
which happened last year too, although last year
no one believed cows spoke. Worse was to come.
There was a bloody rain of lumps of meat
which flocks of gulls snatched in mid-air
while what they missed fell to the ground
where it lay for days without festering.
Then a wind tore up a forest of holm-oaks
and jackdaws pecked the eyes from sheep.
Officials construing the Sibylline Books
told of helmeted aliens occupying
the cross-roads, and high places of the city.
Blood might be shed. Avoid, they warned,
factions and in-fights. The tribunes claimed
this was the usual con-trick
trumped up to stonewall the new law
about to be passed. Violence was only curbed
by belief in a rumour that the tribes
to the east had joined forces and forged
weapons deadlier than the world has seen
and that even then the hooves of their scouts
had been heard in the southern hills.
The year ended fraught with the fear of war.
Next year began with baleful auguries.
Ancient History by Jamie McKendrick,
(From Sky Nails: Poems 1979-1997, 2000)

RICHARD III, acrylic, charcoal, pastel on paper, 150x210cm 2022

QUEEQUEG
fusain, encres, bâton d’huile sur toile, 105 x 200cm, 2025
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The BODY drawings, series of five, charcoal, ink, acrylic on paper, 145 x 208 cm, 2020

SHE and HER MOUNT WERE BUT ONE
fusain & encres sur papier 110x152cm 2023
IN MY SEMI ARTISTIC AND ARTISTIC MILIEU I SHOULD DISDAIN THE COPY (Dans mon milieu semi artistique et artistique je devrais mépriser la copie) Fusain sur papier calque, (110x70cm) x 19 feuilles, 2017
